Aashenayi

Aashenayi (Meeting, in Persian) bears witness to this cultural swarming and invites you on a journey to the borders of ancient and traditional music. Echoes of Persia, Turkey and Europe mingle with the music of the singers and instrumentalists who make up the Canticum Novum ensemble. Each plays with the colors of their musical tradition through the filters of our time to create a common expression.

Gülay Hacer Toruk, Mashal Arman, Emmanuel Bardon: vocals
Khaled Arman: Rubab
Aliocha Regnard: Nyckelharpa & Fidula
Emmanuelle Guigues: Kamensheh & Vièle
Arussiak Guevorgian: Kanun
Gwénaël Bihan: Recorder
Philippe Roche: Oud
Henri-Charles Caget, Ismaïl Mesbahi: Percussion

Como Ponden – Cantiga 166 – Alfonso X el sabio (Espagne)
Rast nakis beste – Dimitri Cantemir (Empire Ottoman)
Morenica - Romance séfarades (Turquie)
Dar Dâmané Sharâ – Khaled Arman (Afghanistan)
Sareri hovin mernem – Inspiration de la tradition arménienne
Der makam-i “Uzzäl Sakil Turna” –Dimitri Cantemir (Empire Ottoman)
Yo Era Nina De Casa Alta – Romance Séfarades – Esmirna, Nor tsaghik – Arménie XIIème siècle
Bugün benim efkârim var – Traditionelle Turquie
La Comida de la manana – Romance séfarade (Turquie)
Khan delawar khan – Khaled Arman (Afghanistan)
Durme, hermoza donzella – Romance séfarade (Balkans)
Säqi ba khoda – Khaled Arman (Iran), Sirto – Instrumentale (Turquie)
Offondo do mar tan chao – Cantiga 383 (Espagne)

Film in UHD Master Quality H265

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